Jenn Goodwin

IN DEVELOPMENT

Set between the performance of two rocks bands, The Changeover is part performance, part installation, part soundtrack, part meditation.

It is with acts of attention that we decide who to hear, who to see and who in our world has agency. In this way our attention forms the ground not just for love but for ethics.​

— Jenny Odell, How to Do Nothing: Resisting the Attention Economy​

The Changeover is a meditation of the in-between. A call to pay attention. A work that explores presence, embodiment, labour, and the value of time, existence and change.

The Changeover looks at the choreography of a stage and pays homage to what happens behind the scenes on stage and in our lives to create change and transformation.

The framework of The Changeover sets a base to look at change, transition, transformation, and the small-yet-special moments in our lives, through the lens of a rock show; an event we attend to be entertained by music, performance, lighting and collectivity.

The changeover is usually the time to talk, get a drink, go to the washroom, etc. Technicians dress in black to “disappear”, yet they have their own tasks, physicality and choreographies to perform. And in between the action, in the changeover from band to band, lies choreography, nuance, behind the scenes magic, and something to look at more deeply as a place of exploration. At the moment we are encouraged to look away, The Changeover shines a light.

As an installation musical objects, lighting, sound and silence act as performers and collaborators to create a meditation exploring presence, absence, and attention.

CREDITS

The Changeover’s first week of development took place in March 2024 at the Fleck Dance Theatre, with the support of the Harbourfront Centre. The IATSE technicians we worked with described it as, “the most inefficient changeover ever”.

Choreographer/Creator - Jenn Goodwin

Dave Clark - Musical Director

Kate Nankervis - Dancer, interpreter

Sarah Doucet - Rehearsal Director

Sherri Hay - Object Coordinator

Briana Brown - Dramaturg/ Creative Producer

Alana Mercury-Conter - Production Director

Most Photos & Video by Drew Berry (the good ones)

The Changeover’s second phase took place with the support of the Toronto Arts Council in collaboration with Jennifer Dahl, Kate Nankervis, Dave Clark, Drew Berry at Collective Space in Toronto.

Next process: Banff Centre for Arts & Creativity October 2025

by Jenn Goodwin and Sarah Doucet

Premiered at the Toronto Outdoor Art Fair, July 2023.

Leap (of faith) is the final installment of a trilogy of dance works, including Closer and If I Should Stumble, portraying a feminist journey through an urban landscape.

The work explores the body as a site of power where precarity, resilience and vulnerability negotiate the dominant social structures of contemporary public space. It references a collectively devised movement vocabulary from diverse female-lead protest dances, and uses materials attributed to the location which exists as a place of gathering, decision making, celebration, and protest.

The physical action of leaping is one of mid-motion, with the body both grounded and suspended between potentials. In this new work, architecture frames bodies in restriction and expansion, between a concrete ground and an endless sky. Bodies explore the physical and metaphysical, the temporal and infinite, inscribing a desire for nuanced meaning in this time and place.

The title itself speaks to a belief or trust in something intangible, like hope.

Leap continues the artists choreographic examination of collectivity and poetic physicality, solidarity and the feminization of space, and resiliency in the face of day-to-day challenges.

Listen to Jenn Goodwin speak about the piece on Turn Out Radio.

CREDITS

Concept & Choreography: Jenn Goodwin

Choreography and Rehearsal Direction: Sarah Doucet

Performers & Choreographic Collaborators: joey eddy, Jen Dahl, Kiki Kennedy, Christy Stoeten, Danah Rosales, Jaz ‘Fairy J’ Simone, Jenn Goodwin

Costume Design: Sarah Doucet

Creative Producer: Briana Brown

Original Music Composition: Victoria Cheong aka New Chance

Production Support & Consultation: Alana Mercury-Conter

Commissioned by Toronto Outdoor Art Fair, curated by Anahita Azrahimi

Supported by Toronto Arts Council with funding from the City of Toronto

With thanks to Brandy Leary, Kate Nankervis, Neville Quinlan, Lela Kouyoumdjian

Photos by Jason Gordon

Video by Garcia Creative

Stunt performer/dancer Anita Nittoly uses stairs as both her stage and her nemesis in this movement installation. Nittoly shines and stumbles as she personifies the concept of falling from grace, while actually falling (gracefully and otherwise) down stairs, while a group of dance artists take alternative approaches up the stairs to counterbalance the inherent stumbles in life and arrive at the top as a resilient collective. This performance explores ideas around female comradery, collective agency, personal power, the cracks in ones’ confidence, the spectacle of a persona, the faux pas’, missteps, mistakes, and the challenges and resilience particularly of women in day-to-day life.

Choreography: Jenn Goodwin

Costume Design & Rehearsal Direction: Sarah Doucet

Song Credit: “Uja” Performed by Tanya Tagaq. Courtesy of Six Shooter Records Inc.

Creative Production by Briana Brown

Dancers: Anastasia DeLyon, Sarah Doucet, Aria Evans, Kristi (Kiki) Kennedy, Kate Nankervis, Anita Nittoly, Nicola Pantin, Danah Rosales, Irma Villafuerte, Jenn Goodwin

Photos: Courtesy of Toronto Outdoor Art Fair

Video: Edited by Aria Evans

If I Should Stumble

Sometimes when things fall apart they are actually falling into place - Unknown

Created by Jenn Goodwin, in collaboration with and performed by Anita Nittoly, Sarah Doucet, Zoja Smutny, Brandy Leary, Kaja Irwin, Jasmyn Fyffe, Lua Shayenne, Nicola Pantin, Caroline-Nicolas Gordon and Jenn Goodwin.

Performer Anita Nittoly uses stairs as both her stage and her nemesis in this movement installation.  Nittoly shines and stumbles as she personifies the concept of falling from grace, while actually falling (gracefully and otherwise) while other aspects of her self take alternative approaches.

In this performance, Goodwin is particularly interested in personal power, female comradery, the cracks in ones’ confidence, the spectacle of a persona, the faux pas’, missteps, mistakes, and the challenges and resilience particularly of women in day to day life. 

Vertigo is the conflict between the fear of falling and the desire to fall - -Salman Rushdie

COSTUME DESIGN: Sarah Doucet

MUSIC: Tanya Tagaq. Song: Uja from the Album Animism. Re-mixed by Tino Zolfo.  Thank you to Six Shooter Records.

Video by  Lee Henderson

performed at The Toronto Outdoor Art Exhibition. Toronto City Hall. Originally curated by Rui Pimenta & Elise Hodson. Later curated by Anahita Azrahimi

Created by Jenn Goodwin

Co-Choreographed by Jenn Goodwin & Sarah Doucet

In collaboration with Performers; Francesca Chudnoff, Esie Mensah, Kate Nankervis, Anita Nittoly, Danah Rosales, Carina Reeves, Sarah Shugarman & Jenn Goodwin

Rehearsal Direction & Costume Design; Sarah Doucet:

Music improvised and performed by Sarah Shugarman and Carina Reeves

Artistic Producer: Briana Brown:

Video by Jahmal Nugent

Photos by Jahmal Nugent & Andrew Williamson

Part of Summerworks Public Works programming – bringing artists and audiences together in the public sphere to experience our city in new ways.

CLOSER is inspired by both empowered and oppressive experiences of women. The work points to some level of progress through the performers determined presence, and yet this progress is incomplete and continuously at risk. This project uses forward motion and depth of field to explore concepts around solidarity, justness, the feminization of space, and a myriad of related experiences from resilience, vulnerability, protection, radiance, anger and exhaustion.

Moving together, intentionally, forward and in numbers, the work asks that we look closely and compassionately at ourselves, each other, truth, change, and in turn action. It calls for equity in our public and private spaces, so that all women can be safe, empowered and can shine in the spaces they inhabit.

At this time in the pandemic, what does it mean to be closer? How CLOSE can we be? To ourselves and each other. What are our boundaries and our needs for both connection and protection? CLOSER employs movement as a tool for engagement, connection, and clear seeing. Looking closer. Not looking away. Together.

Thank you: Toronto Arts Council, Laura Nanni, Neville Quinlan, Zita Nyarady, Wei Qing Tan, the SummerWorks team & all the alleyway neighbours

A dance in public space for this post / not-so-post #metoo moment.

Through forward motion (and some hard steps back), solidarity and connectivity are used as choreographic tools of propulsion and expression. Employing depth of field through a feminist lens, we see a group of individuals in something together . There is some progress, and yet it is incomplete, complex and never enough. CLOSER is an exasperated, timely response.

Directed and Choreographed by Jenn Goodwin in collaboration with Sarah Doucet, and performers Lua Shayenne, Brandy Leary, Ravyn Wingz, Anita Nittoly, Diana Reyes (aka Fly Lady Di), Francesca Chudnoff. Costumes by Sarah Doucet. Sound by Paul Shepherd & Valerie Calam; Company Vice Versa

Part of the SummerWorks Lab programming – a place for exploration, experimentation, and process. In the Lab, you can experience new works in development from artists exploring new possibilities in performance.

all images by Guntar Kravis

Video by Ryan Faubert

alternate video by Sara Thomas Moffat

Door2Door Dances was created to bring our love of dance to those who may be in need of a little joy, art & human connection through movement and music in these challenging and often isolating days during the pandemic. It is also gesture of deep respect & thanks to care givers, essential workers and front line workers. They’ve stepped up in unimaginable ways, we see this as giving back, in our own unique way.

We also think of it like a …”dance delivery”, or “curb side choreography” and are honoured to be able to perform and put our skills to use in a creative way.

Door2Door dances is Jenn Goodwin, Sarah Doucet, Kate Nankervis and Zoja Smutny.

Costumes: Sarah Doucet.

Music: All You Need is Love: The Beatles, Shout: The Isley Brothers

Bubbles: Peter & Sam Quinlan, Jimi Doucet, Charles & Lainey Patterson

Our introductory dance was first performed at The Williamsburg Residence in Burlington Ontario where Jenn Goodwin’s parents live.

We since have performed for multiple retirement and long term care homes and healthcare facilities and hope to continue to perform where it may be useful in the future.

Photos and videos by Chris & Tara Grant Patterson, Lela Kouyoumdjian. Thank you to Neville Quinlan for tech support.

Special shout out to Tara Grant for early collaboration & inspiration. Together we danced on door steps for some friends in our neighbourhood who were in isolation in the early days of Covid.

Somewhere between human and animal, land, sky and dance floor, we find ourselves here.

We listen for when to move, still, fight, work, try, try harder, surrender and stand. A snapshot of effort, discovery, fall and recovery, under a shared big sky, caught in a moment, in a space in between.

Credits

Choreography: Jenn Goodwin in collaboration Anita Nitoly, Elke Schroeder & Sarah Doucet

Performed by: Anita Nittoly & Elke Schroeder.

Costumes and rehearsal direction/outside eye: Sarah Doucet

Music: Boris, Holy Fuck

Curated by Art Spin- Layne Hinton & Rui Pimenta

Video by Francesca Chudnoff

Performed at the Sunnyside Bike Park in Toronto. 

thank you to the Ontario Arts Council Exhibition Grant and the Art Museum at the University of Toronto

A solo exploring women’s labor, overwhelm, erasure, rage and resilience.

A solo, with blanket, with hair. Through attempts at comfort, protection, concealment, trapping, suffocation, warmth, hostility, and weight, To do, to don't touches on themes of physical intensity and vulnerability.

Trying to be in the world, take it in, keep it out, change, or make change. It considers the possibility to hold sorrows of the world, and one’s own, while not forgetting the big picture, or the the day to day. Holding hope and fear in the same moment. Holding the days to do list and also the weight of the world on ones shoulders.

There is a lot to do, and a lot to don’t

Choreographed and performed by Jenn Goodwin

Soundtrack: Text “I Really Should" by Kelly MarkMusic by Sandro Perri, Peregrine Falls, Mixed by John Dinsmore

Produced with the support of the City of Toronto through the Toronto Arts Council.

Originally performed at The Toronto Love in. Duration & Dialogue II and Kaeja d'Dance - Wind Down Dance. Then at Dance Allianace New York City and Summerworks Toronto

Photo credits: Erato Tzavara, Natalie Roth

Video (short version) : Francesca Chudnoff

(Can be a durational performance. Adaptable to multiple spaces.)

Review:

https://www.mooneyontheatre.com/2017/08/04/to-do-to-dont-jenn-goodwin-and-icone-pop-mayday-2017-summerworks-review/

With collaborators/performers: Valerie Calam, Luke Garwood, Kristy Kennedy, Jared MacSween, Zoja Smutny and Heidi Strauss. Roxanne Luchak (video) and Laura Nanni (dramaturg)
Curated by Kim Simon for Gallery TPW R&D. 

Special Thanks to Jeremy Mimnagh, Camilla Singh, Walter Willems, Ame Henderson and The Theatre Centre, for their input in the development of the work.

Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the work explores the possibility of connection across time -- with strangers and friends, performers and audiences, between a sense of self and the collective and the walls of a room. Participants in the work see themselves and their stories as objects, icons and images, looking at practices of looking, how we see and are asked to see. An intimate 360 degree durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.

Score (as of January 6th 2013)

See everyone that walks in the room / Offer instructions / Welcome / Introduce yourself and others / You can ask questions

The Story starts with We / We are all here together / Right now / Not for long

You are an individual within a group / Portraits can overlap when there is only 1 person talking / Do not overlap talking portraits / Your portrait is a part of the whole / The whole is your portrait

You are in this together / You can ask for help / You influence the space, the order, the audience / You are influenced by the space, the order, the audience / Just being is enough

Stay connected to the wall / The wall is your partner / The wall is your frame / The wall is your canvas / The wall is a restriction and an opportunity

You can change the lighting / You can add video / You don't have to stop with the song

Let things take the time they need / Vary your speed / Be aware of time, or ignore it, get lost in it, fight it, welcome it / Spend time together / You are responsible for your experience

Document what is happening / Start where it ended / Keep going back to the writing

Find opportunities to move / Move during punctuation

See each other / Listen to each other / Listen to the room / What is happening is really happening / Be affected / Don't pre-plan / Make connections / Make it yours

Fight/struggle/aim for presence / Let what is happening in the room inspire you / Doing nothing is something

It doesn't always have to make sense / Try to be honest (most of the time) / Seeing you search, receive and recover is ok / Everyone is a participant / It is ok to struggle with presence and performance / Discomfort, uncertainty and boredom are valid / Entertainment is too

Notice / Pay attention / Accept

The small moments make up the big picture / Every day is epic > http://gallerytpw.ca/rd/jenn-goodwin-reflections/ > http://gallerytpw.ca/rd/jenn-goodwin/

Thank you: Kim Simon, Gallery TPW, The Theatre Centre, Roxanne Duncan, Franco Boni, Gary Hall, Sam Cotter, Leila Timmins and Nicole Cropley, Justine Chambers, Neville Quinlan, Brendan Gall, Valerie Gelinas, Guntar Kravis, Natalie Roth, Dan Surman, Sean Hooper

Special Thanks to Camilla Singh, Jeremy Mimnagh, Walter Willems and Ame Henderson for their input in the development of the work

Photos by Guntar Kravis

Video by Jeremy Mimnagh

Performed at Gallery TPW R&D space. Dundas Avenue . Toronto. 

A heartfelt and humourous exploration of the consequences of our daily mishaps in all their beauty, barbarity and banality. Cross a street three seconds later and a speeding bus barely misses you. A typo completely changes your identity. A turn to the left at a crowded party and you never meet the love of your life.

An exploration of mistakes we make that affect our daily lives, to the ones that may cost us our life. From spelling mistakes to near death experiences, taken from real life scenarios.. and mistaken moments.

Accidents is a playful yet poignant look at our attempt to be perfect, avoidance of discomfort, fear of failure and the beauty and challenges learned by the natural occurance of accidents and mistakes. From the banal to the beautiful to the barbaric...

Created and Directed by Jenn Goodwin
Created with and performed by Valerie Calam and Alicia Grant
Video by Walter Willems
Lighting Design by Geoff Bouckley
Sound/Music: Death Fom Above (1979), Japancakes, Cat Power, Polmo Polpo

Thank you to Sarah Doucet and Ame Henderson who were an integral part of the creation of this work.

Originally performed at Tangente (Montreal) and DanceWorks (Toronto)

Sneaker is a duet co-choreographed by Sarah Doucet and Jenn Goodwin. Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal and Toronto including streets, studio, cabaret and club environments to great success. The Globe and Mail said: The humorous Sneakers depicted two ladies after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour.

Choreography by Jenn Goodwin & Sarah Doucet
Performers: Sarah Doucet & Jenn Goodwin
Music by Luke Doucet

Photos by Raina Kirn

Originally curated by Miriam Ginestier/ Studio 303. (1997)

Curated by/ Performed as part of Dusk Dances (2005).(Quebec City, Toronto, Peterborough, Chatham, Deep River)

The Festival pf New Dance (Newfoundland Dance Festival)

Kick up Your Heels, Harbourfront Centre (Toronto)

Stink explores the natural vs artifice, movement vs stasis, restriction vs release. Attached to a tree by elastic bungy cords and harnesses,  dressed in astro turf and air fresheners, the acrobatic and animlaistic performers struggle and extend themselves to find escape, or eventually acceptance. 

Performers: Sarah Doucet, Marlee Cargill, Nicola Pantin. Sylvie Bouchard, Molly Johnson. Mariana Medellin-Meinke, Zhenya Cerneacov, Jenn Goodwin. Tania White

Musicians; Ed Hanley. Blake Howard, 

Performed/ Curated by Dusk Dances (Ontario tour), Newfoundland Dance Festival, Canada Dance Festival, Ottawa. Dancing on the Edge Festival, Vancouver

Choreographed and performed by Jenn Goodwin

Sound score: Sandra Dametto

Video: Natalie Kovacs

Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not. 

”Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope”. - The Globe & Mail.

Originally performed at Tangente (Montreal)/ Curated by Dena Davida. 

Also performed at DansWerkplaats in Amsterdam (2000), Brooklyn (NYC) curated by Ayelen Liberona, Dancing on the Edge Festival- Vancouver. B.C

Wet - a diary of desire [part I of The Wet Project] 
An abstract movement diary that touches on lust, shame, frustration, excitement, boredom, pleasure, ecstasy, porn, friction, love and sex. 

Conceived and Directed by Jenn Goodwin in collaboration with Justine Chambers

Performed by Justine Chambers

Soundscape: Ed Hanley
Lighting Design: Sharon DiGenova
Text: Lisa Gabriele, Malcolm Brown (pixel board) 

Spit [part II of The Wet Project] 
Smoking solos, gum chewing combos, necking duets and spitting images. Phase II of The Wet Project, Spit explores the body fluid- Saliva. With images projected on a dripping wet backdrop Spit is a look at addiction, lust, desire and saliva. 

Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers, Sarah Doucet, and Darryl Tracey
Soundscape: Ed Hanley/Peaches
Video: Dar Higden and Jenn Goodwin

Costumes: Gillian Steinhardt

Go [part III of The Wet Project] 
Public, Private. Spoken, unspoken. Set & video is used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. 

Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh

Set: Tempermetal

Performances include:

The Theatre Centre (Toronto), Tangente (Montreal), PS 122, Dixon Place, (NYC.) Dancing on the Edge (Vancouver), DanceWorks showcase (Toronto),  Theatre Mai (Montreal)

Created and performed by Sarah Doucet & Jenn Goodwin. 

Skid takes a look at guitars and the movement that moves them and us. 

Originally curated by Kelly Mullan and Jenna Morrison as part of Out of the Shadows Urban Dance Festival at Tangente Montreal during FIND festival.

Also performed at PS 122 New York City, Harbourfront Centre, Series 8:08, Toronto

Music: Zeena Parkins

(Live music: Julietta McGovern)

A theatrical solo that explores living to extremes- and sometimes close to death, in search of a greater sense of life. A search for self by ridiculous, reckless as well as precious means and memories. The risks taken to feel deeper, live fully, work harder, stay strong, get connected, get lost… be found.

Choreographer/Dancer: Jenn Goodwin

Text: Jenn Goodwin

Lighting: Sharon DiGenova

Composer: Ed Hanley

Video: Jenn Goodwin and Judy Singh. With excerpts of David Hinton’s  -“Birds”

Performed in Brooklyn, New York. Drake Hotel/ Queen West Arts Crawl, Tangente (Montreal), Out of Bounds. - Shared show with Nova Bhattachrya including work by Dana Gingras (Montreal), Mika Kurosawa (Japan) 

With thanks to The Canada Council for the Arts and The Ontario Arts Council

Created and performed by Jenn Goodwin.

Video by Walter Willems

Originally performed at Hitch Torque Twist curated by Stand Up Dance at Hub 14. 

I'm Sorry…

I didn’t mean it

I wasn’t thinking

Im embarrassed. I cant believe I did that. It’s a fine line really isn’t it. I ignored the signs.

I didn’t understand the instructions

I had no idea

I was framed

I was drunk

I was hurt…

I had other plans

I deserve it

Im cleansing

It was too late to call

I needed to feel something

You were away

It was cold out

I didn’t want to sleep alone

Im holding it for a friend

Im not from here

I was Pre menstral

It was a spur of the moment decision

I didnt know you would take it like that

You can be so sensitive

I was Nervous

I didn’t want to send the wrong message

The networkwas down 

The sun was in my eyes

I went out on a limb

I have to go

I was faking it

I don’t know when to stop

I cant say no

I got sick of waiting

I listened to my gut

Hey…I was misquoted

I was brought up catholic

I did it for the money

I did it for love

I didn’t know it was my last chance

I didn’t know it meant so much

I don’t own a watch

I haven’t slept

I was bored

I was in heels

I could not control myself

It wasonly 1 night

I blame myself only. And maybe you alittle bit.

I fell asleep

I fell of my bike

I was falling in love

I felt ignored

I was falling apart

I felt confused

I just fell into it

I didn’t think it would actually hit you

I didn’t know it would hurt

I was at my wits end

I was fucking pissed off

That song was playing

I couldn’t sleep

I pressed snooze

I pressed send

You pushed my buttons

You pushed your limits

You pressed play

I was distracted

I lost my patience

I lost track of time

I lost my confidence

I lost your number

I lost my keys

I lost my phone

I fucking lost it

He was greek

the lighting was perfect

He told me what I wanted to hear

I was on vacation

I left it at home

Im on my way to a wedding

Ive just come from a funeral

You looked at me and I melted

My defences were down

My parents were teachers

I am the youngest of 3

I am spoiled

I was lonely

I was high

I was listening to public enemy

I was between a rock and a hard place

you said you loved me

I thought I could handle it

It was highly recommended

It was cheap

I asked for it

I was young

It seemed poetic at the time

I didn’t ask questions

I didn’t understand the directions

I believed the hype

It was on sale

I believed you

I hoped for the best

I hoped to for something else

I was star struck

It was a 2 hr special of the simpsons

I forgot
 

I was taken for a ride

He took me for someone else

I took it standing up

I took it for the team

I was taken by him

I took the brunt of it

I took the heat

I took what I could get

I don’t know what its going to take

I don’t know when to stop

By Sook-Yin Lee in collaboration with Jenn Goodwin, Mairi Greig, Charlie McGettigan and Adam Litovitz. 

Three Dancers embody one woman, "Jennifer," at different times in her life. Disruptive forces create collisions and connections in the struggles of girlhood, young adulthood, and womanhood. The work evolves over time to reflect her physical and psychological transformation.

Created & Directed by Sook-Yin Lee
Produced and Commissioned by Jenn Goodwin
Made with Jenn Goodwin, Mairi Greig, Charlie McGettigan
& Adam Litovitz.
Festival of New Dance, St. John's Newfoundland, October 5, 2017 Premiere Performance
Lighting by Gabriel Cropley & Robert Gauthier
Costumes by SY Lee
Music & Video SY Lee & Adam Litovitz
Camera Ian McGettigan, Miruna Soiu & SY Lee
Edited by SY Lee

For inquiries and booking contact: 
Jenn Goodwin hellojenny@gmail.com

more info: festivalofnewdance.ca/info/oct-5-sphere-of-banished-suffering/

Produced with the support of the City of Toronto through the Toronto Arts Council.
We acknowledge the support of the Canada Council for the Arts.
Developed through residencies at DanceMakers, Luff Art+Dialogue & Artscape Sandbox

https://vimeo.com/240331374

Choreographed by Justine A. Chambers

Commissioned and performed by Jenn Goodwin

Working with text from Goodwin’s previous works as a departure point for exploration and experimentation, Chambers imposes a series of new narratives on the text by removing it from its context of origin. Through the reconfiguring of words and the transformative potential of repetition, text becomes narrative, object and subject. The movement vocabulary will be culled from Goodwin in the seemingly banal activities of her day to day. Through a series of choreographic filters (repetition, distillation, and degeneration), the movement develops as a frame for the text, while working with the foundation of one, long, extended fall, with micro falls, actions, filters within.

Falling - the Cover

The Structure

165, 3, 2, 1, one, 2, four thousand, 16, 60, 20, one thousand, 10, 45, 16, one, one, one, one, two, several

feet, slip, dirty sock, seconds, minutes, kilometres, feet, feet, miles, feet, dying cat, apple, love letters, lipsticks,

moisturizer, Ljenstraat

i’m i’m i’m i’m i’m i’m

me me me me me

my my my my my my my

he he He he

him him him

his his

he’d

abby

boyfriend

catholic catholic

Christopher

daughter

dog

God god

grandma

admit admit

afraid afraid

Alive alive

ate ate

admitted

being being!

become!

began!

believe

blared!

blew!

bought!

came!

closed

did did did did did did did did did (9)

do do do do

!

do

didn’t didn’t didn’t didn’t

die die die

dare dare

dying dying

denial

dirty

disregard

distract

dropped

expected

falling falling falling falling

fallen fallen fallen

fell fell fell

feel feel feel

fearing

Fail

!

found

fucking

gave gave gave

give give give

go go go go go go

going

gone

got got got

grabbed

have have have have have have have

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii (94)

held held

jump

jumped

kill kill

locked

looked looked looked

lurched

acid

apple

body body body body body body body

beer beer

bottle bottle

bike

bridge

cake cake

car car

cat cat

CD

cig

credit

drugs

ears

foot foot feet feet feet feet feet

ginger ale

hospital hospital

knife

leather

magazine

a x 29

at at

are

but but but but but but but

be be be be be be

can

can’t

for for for for for

free free

fucken

gave gave gave

happier

how how

in in in in in in in in i`n

it it it it it

know

like like

money money

made

man

With thanks to The Toronto Arts Council, The Ontario Arts Council, The Canada Council for the Arts. 

We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country. Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

Dance jams. for research & kicks